Hate it or love it 50 cent game




















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But I was young, man. I was dumb. I did a lot of dumb things… Now, four albums in, I can honestly say from Banks to Buck to Dre to Yayo to whoever, if it would have kept going, endless paper. Millions of albums sold — because we were great together. A few days later, in January , Tony Yayo spoke on behalf of G-Unit when he said that they would not be accepting any apology from The Game.

Game tweeted 50 in November saying he was willing to end the feud, asking 50 to just pick up the phone and call. We hope Game isn't still sitting by the phone… Cause 50's yet to act on the request. Nevertheless, Game responsed with another diss track. Anyone sensing a pattern here? Strangely, Game instigated a petition in January for G-Unit to have a reunion. He got loads of fans to sign it, but it was all for nothing.

Earlier this year, in June, G-Unit surprised everyone when they reunited at the annual Summer Jam concert. Everyone thought a cold war was about to kick off when both 50 and Game announced album release dates of 16th September this year. Since then, both albums have been pushed back.

In , New York and Compton briefly united for the kind of rap anthem that is so charming you could comfortably play it at a family BBQ without receiving any strange looks from the overs. The song was so big, I guess they had no choice but to do it. It was a Super Bowl kind of record. We were blessed to have those two songs out right at the start of our production careers, as they both sounded so different and showed our range.

But it was also weird [being caught in the middle of a feud]. The pair met at high school and were united by their shared love of hustling on the playground — Dre sold pieces of pizza to his friends at a profit, while Cool sold his DJ mixtapes with artwork he made on the school photocopier.

Their love for hip hop grew from playing x-rated gangster rap records by N. But with no budget to work with producers, the pair purchased a second hand keyboard and took matters into their own hands. T heir sound had to be luxurious and glamorous, but also sticky and sun-kissed.

Having both grown up in North Miami, the pair naturally channelled the euphoria of Miami bass and the sweaty nightlife of the Floridan City via their distinctive popping hi-hats. Yet their beats also possessed the China White-raw, cinematic sheen of all those great gangster rap records. It was people like The Neptunes, Dr. Dre, Timbaland, Swizz Beats. Being in the midst of all that forced you to be great.



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